Attended my first Hollywood premiere Thursday night. Ian was the First Assistant Director for The Drop when it filmed back in November. The premiere was sort of reuniony - all these people who had spent 12 or 14 or 16 hours together every day for a month and who hadn't seen each other since then. Lots of "So good see you again!" "What are you working on?" and "Would really love to work with you again sometime." It's sort of like signing a yearbook; do all these people saying nice things really mean them?
As for the movie, it's cool. The story is a bit one-dimensional, although it may have just seemed that way to me since I had read the script and heard all of Ian's on-set stories. Still, the visuals are impressive. The film creates and sustains a mood, making the movie more a sort of visual poetry then ordinary narrative. It's a surprisingly thinky. And, as an added bonus, it's the first high-definition, digitally projected movie I've seen that didn't have the whites all blown out.
As for the movie, it's cool. The story is a bit one-dimensional, although it may have just seemed that way to me since I had read the script and heard all of Ian's on-set stories. Still, the visuals are impressive. The film creates and sustains a mood, making the movie more a sort of visual poetry then ordinary narrative. It's a surprisingly thinky. And, as an added bonus, it's the first high-definition, digitally projected movie I've seen that didn't have the whites all blown out.
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